Opacity as a Healing Space, a double solo exhibition by Szilvia Bolla and Lorenzo Conforti, investigates hybrid forms of resilience in a visually oversaturated and psychologically charged world. The artists’ languages intertwine into slow-paced contemplation, resisting the ever-pressing demand for clear meaning whilst cherishing the ambiguous and the unresolved instead.
Deeply rooted in the psychological dimension of image-making, Lorenzo Conforti’s painting practice stems from a process of blending images of different organic anatomies. The hybrid, almost entirely abstract results are vagueness heralds, designed as mental resistance to the contemporary urge to define, explain, or signify, which is central to the artist’s practice. These layered visions strive to escape the clarifying speed that usually dominates visual culture, offering charged yet elusive spaces home to psychological transition instead. Each painting becomes an inner landscape where nothing is fixed; everything fluctuates and remains unsettled, mirroring the human condition marked by fragmentation and uncertainty. Mental fog, sensory overload, and snow syndrome – a phenomenon regularly experienced by Conforti himself – overlap in a path towards the invisible, a central matter for the artist. Paintings of assorted dimensions, dispersed around the gallery, reveal this fascination with the void and what surrounds form rather than form itself. A series of moulds alternate different degrees of stylization and finally fade into an evanescent site-specific intervention, unfurling placidly on the walls of the space.
Szilvia Bolla’s research explores the emotional and psychosomatic dimensions of contemporary life as well, yet focuses on the convergence between body, mind, and medical-pharmaceutical systems. Ingrained in a post-photographic approach, her works embody a plunging sensitivity to vulnerability and transformation. Bolla’s practice begins where images end. She translates visual thinking into material forms, transforming personal history into symbolic, sculptural narrative to address the invisible pressures of a world shaped by trauma, systemic depression, and biopolitical control. Her resin works trace the path of unregulated psycho- tropic drugs through the body: beginning with ingestion, ending with a fractured hip. An event drawn from her grandmother’s experience — in which a dizzy spell from medication caused her to fall while watering her garden, resulting in physical injury and psychological collapse. These sculptures merge the beauty of blossoms and the logic of prosthetics, reflecting how the body is reshaped by external pharmacological and political forces. An emotionally charged space where the nervous system meets systemic neglect.
Bolla reclaims decorative language as resistance, reverberating Conforti’s graffiti-informed background. His wall drawings softly wrap her pleated stomach sculpture, generating a space for contemplative antagonism. Though rooted in different mediums, the two artists engage with absence, transformation, and emotional depth. They both create works that defy fixed interpretation, embracing fragmentation and ungraspable, open-ended narratives. Though rooted in different mediums, the two artists confront absence, transformation, and emotional depth. They invite viewers to linger. Conforti paints the air around things to engage with existential voids, while Bolla shapes psychic wounds and memories into physical forms. In both practices, the medium becomes a place of care, metamorphosis, and eventually healing. A shifting zone echoes collective states of flux through poetic resistance.
Available artworks
Dove vanno a finire le nuvole?
olio e pittura spray su tela
cm 185 × 140
2024
La sindrome della neve visiva #3
olio e pittura spray su tela
cm 50 × 40
2024
Un placido bicchiere di acqua calda
olio e pittura spray su tela
cm 110 × 78
2025
Rivotril Flowers Fall II (Serotonergic Swirl)
aluminium coated stereolithography print
cm 22 × 18 × 10
2024
Daughter of Depressed Daughters II
stereolithography print, copper
cm 31,5 × 33 × 10
2025
Rivotril Flowers Fall I (Gag Reflex)
stereolithography print, calcium and argon in a glass ampule, steel 3D print
cm 32 × 21 × 11
2024
Rivotril Flowers Fall III (Femur Flower)
stereolithography print, cast silver, steel 3D print
cm 28 × 22 × 12
2024
Via Rosolino Pilo, 14 – 20129, Milano
Tue–Sat 15.00–19.30
Via Rosolino Pilo, 14 – 20129, Milano
Tuesday – Saturday
11.00–13.00 14.30–19.00